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Program Sales Television The Rise of Cable Programming in the United States: Revolution or Evolution? by Megan Gwynne Mullen, "This is an important contribution to the literature on media history and institutions. The book also is written in an accessible style and definitely not aimed only at those in media or communication studies."--Janet Wasko, author of Hollywood in the Information Age: Beyond the Silver ScreenIn 1971, the Sloan Commission on Cable Communications likened the ongoing developments in cable television to the first uses of movable type and the invention of the telephone. Cable's proponents in the late 1960s and early 1970s hoped it would eventually remedy all the perceived ills of broadcast television, including lowest-common-denominator programming, inability to serve the needs of local audiences, and failure to recognize the needs of cultural minorities. Yet a quarter century after the "blue sky" era, cable television programming closely resembled, and indeed depended upon, broadcast television programming. Whatever happened to the Sloan Commission's "revolution now in sight"? In this book, Megan Mullen examines the first half-century of cable television to understand why cable never achieved its promise as a radically different means of communication. Using textual analysis and oral, archival, and regulatory history, she chronicles and analyzes cable programming developments in the United States during three critical stages of the medium's history: the early community antenna (CATV) years (1948-1967), the optimistic "blue sky" years (1968-1975), and the early satellite years (1976-1995). This history clearly reveals how cable's roots as a retransmitter of broadcast signals, the regulatory constraints that stymied innovation, and the economic success of cable as an outlet for broadcast orbroadcast-type programs all combined to defeat most utopian visions for cable programming.
The Rise of Cable Programming in the United States: Revolution or Evolution? by Megan Gwynne Mullen, "This is an important contribution to the literature on media history and institutions. The book also is written in an accessible style and definitely not aimed only at those in media or communication studies."--Janet Wasko, author of Hollywood in the Information Age: Beyond the Silver ScreenIn 1971, the Sloan Commission on Cable Communications likened the ongoing developments in cable television to the first uses of movable type and the invention of the telephone. Cable's proponents in the late 1960s and early 1970s hoped it would eventually remedy all the perceived ills of broadcast television, including lowest-common-denominator programming, inability to serve the needs of local audiences, and failure to recognize the needs of cultural minorities. Yet a quarter century after the "blue sky" era, cable television programming closely resembled, and indeed depended upon, broadcast television programming. Whatever happened to the Sloan Commission's "revolution now in sight"? In this book, Megan Mullen examines the first half-century of cable television to understand why cable never achieved its promise as a radically different means of communication. Using textual analysis and oral, archival, and regulatory history, she chronicles and analyzes cable programming developments in the United States during three critical stages of the medium's history: the early community antenna (CATV) years (1948-1967), the optimistic "blue sky" years (1968-1975), and the early satellite years (1976-1995). This history clearly reveals how cable's roots as a retransmitter of broadcast signals, the regulatory constraints that stymied innovation, and the economic success of cable as an outlet for broadcast orbroadcast-type programs all combined to defeat most utopian visions for cable programming.
Television program - A television program is the content of television broadcasting. The content of an individual broadcast may be referred to as a television program (U. National Association of Television Program Executives - The National Association of Television Program Executives is the world's main "TV supermarket" convention, in which television executives buy or barter for TV programs that are up for syndication. Ed (television program) - Ed was an NBC television program produced by Worldwide Pants Incorporated from 2000-2004. It starred Tom Cavanagh as the protagonist, Julie Bowen as his love interest Carol, Josh Randall as his friend Mike, Jana Marie Hupp as Mike's wife Nancy, Lesley Boone as their friend Molly, Justin Long as awkward high-school student Warren Cheswick, Ginnifer Goodwin as Warren's friend, and Michael Ian Black, Mike Starr, Rachel Cronin, and (later) Daryl Mitchell as employees of Stuckeybowl, Ed's ... CounterSpin (television program) - counterSpin was a Canadian television program, which aired on CBC Newsworld from 1998 to 2004. The show's title is properly spelled with a lowercase c and a capital S. programsalestelevision
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